4 Generations

We in Ohio have been blessed with really good weather for a change.  We have not had much snow at all, other than a tiny dusting here and there - that is - until today.  Today I think we got nearly 10" and there is supposed to be a little more on the way.  It is January after all.  But somehow I had this irrational hope that it would hold off until, oh, say...about APRIL!  And then, be SPRING!  Ha-ha!

I've had a lot of little changes in my life this fall and have had to come to terms with some health issues, but overall, I'm a very lucky lady.  And I even found a little time to make some art before Christmas - most of which was gifted to others.  I did the little 8" x 8" painting here - done in acrylics and mixed media.  I gave it to my sister Carrie (who is a writer) and while it isn't an accurate snapshot of the women in our family, it is perhaps more "representational" of them.  I really love that primitive, flat-dimensioned look of the paintings done in the early 1800's so was going for that sort of look, but they were meant to depict, L-R, back row - my mom Patricia Louise Strachan Ryman, her mom, Mildred Elizabeth Irvin Strachan and HER mom, Carrie Minerva Mitchell Irvin.  The front row is, L-R - my sisters, Cynthia Lea Ryman Newsome and Carrie Ann Ryman and me, Diana Louise Ryman.  It was a lot of fun to work on and I think my sweet sis really liked it.

In 2012 I'm hoping to focus on more de-cluttering of my art stash, painting a room or two in the house and the more fun type of painting - on canvas.  I've always admired the looser, more "painterly" style some artists such as Mystele and Sharon Tomlinson, achieve.  So I plan to teach myself how to paint this way too.  I feel like my work is too up-tight and controlled.  One of my friends, Jean Field, recently suggested that I "use a larger brush" to help me achieve this look, so I'll start there.  Sounds so simple, doesn't it?  Ha! Wish me luck!

Been Painting Again...

June 2011 - 8 x 8 canvas

I started this little canvas about 2 months ago and didn't get time to touch it again until this last weekend.  I really had a nice weekend and enjoyed the relaxation of no tv, no computer, just hours and hours of painting in a couple of sessions.  I was inspired by a painting I watched artist Sharon Tomlinson paint.  She does such a good job with faces and mine sure need some work.  I followed her method of applying text from a book as a base, then gluing down pics of flowers from gardening catalogs to surround the central area.  Then I sketched in the woman shown.  Everything, including the flowers are painted over with acrylic paints.  Not too sure my flowers look like they did originally, but having a picture to start with gives you a range of colors and some placement.  If you get time, go watch some of Sharon's YouTube videos on "Morning Art".  She has a gentle voice and does a great job of showing her process step by step.

Art at KSU

 I just had to share this. KSU has a brand new performing arts theatre that will have it's grand opening later in October. In the lobby of the theatre is currently being installed, a commissioned work from Cleveland artist, Olga Ziemska.  I think I read that the funding came from an Ohio arts grant.  You just have to look at her blog - Olga Ziemska - and see the pictures - most from her studio - of this work in progress this summer.  Be sure to scroll to the bottom of the page because there are some "other" posts in the middle. This artist worked with dance & theatre students here at Kent State to pose for the outlines of the figures. She is using some gorgeous pictures of Northern Lights as her inspiration for movement and color. Each figure is cut from a sheet of clear acrylic. She evidently raided our KSU photo archive for the pictures our photographers have taken over the years of students, plays, dance performances, events around the campus, and anything else she found that was colorful and depicted life and art at the university. Ziemska is using five sizes of clear acrylic cabochons and adhering pieces of the photographs to the flat sides of each cab. Then the acrylic figures are filled with waves of the colorful cabachons to complete each piece. The figures will be laid out along a wall in the lobby of the theatre. It's hard to tell from the photos, but I suspect she is going to use some sort of suspension system and maybe, I hope, back lighting. It will be interesting to see how this artist completes this installation.  I can't believe that those figures would just be screwed to the yellow wall, but that's just me.   I may go over to the theatre on my lunch hour Monday to see the progress of the installation. Our dept. photographers are taking pictures of the process too. For some reason, this work is just speaking to me and  I can't wait to see it finished. Of course, all those luscious blues and greens and purples are right up my alley! Enjoy!

A little Journaling

Wow - it's been quite a while since I posted anything.  Busy, busy.  Plus any art I've had time to do has pretty much been for an art group project we have going this year that is sort of secret for now.  More on that in a few months....

I did take some time recently to work on the last two pages in a little art journal - altered book that I'd started two years ago and never quite finished.  I really enjoy the style of journaling that Teesha Moore teaches so thought I'd give that a try on these pages. It really is a relaxing way of working - no planning ahead of time.  Just brushing on some acrylic paint for the background and when that's dry, adding some strips cut from various magazine pages to make the border.  Add a little shading with some of the newish Pan Pastels and a focal figure - made up of several different pictures from magazines.  I added a saying I'm fond of and a lot of doodling with my milky pens to add the finishing touches.  I really like the result and think I'll try another page or two or three...what do you think?

Happy Halloween!

Yes, I know. I'm a couple days late. Oh well, better late than never, I say. I started this little painting two weeks before the holiday with the intent of making it into a print for cards for family and friends. But circumstances changed and I invited the whole family to my place for Trick or Treating. It suddenly hit me that that meant I'd best get my butt in gear and CLEAN my house - not to mention finishing some projects outside before the cold weather sets in. So my little paint got set aside and wasn't finished until Nov. 1 after all the festivities were but a memory. It was a sketch first, then I washed the background with watercolor and finished all the details with acrylic paints. Every one of these little paintings teaches me a thing or two about how the paint works, and about how to control it better. Also I still need to learn a lot more about shading. But I'm getting better each time, I think. Guess I'll be ready for Halloween next year! It was fun to do it and am now thinking of images I can draw and paint for a little Christmas scene.

Journaling (cont. 4)

Well these are some of my latest pages. Anyone who knows me knows I love the Wizard of Oz and now all the prequels to that story written by Gregory Maguire, like "Wicked", "Son of a Witch" and "A Lion Among Men". So of course, I had to have an "Oz" page in my journal. Elphaba, the Wicked Witch of the West is my favorite character....

The whole swine flu outbreak and the concern over it becoming a pandemic has had me really worried, so doing a spread on it helped me deal. The middle set of pages are a blatant plagarism (or is that only when it is the written word?) of a Zettiology artist/goddess - Teesha Moore, art work. I'm not intending to sell it or anything, so hopefully my "copying" won't be frowned upon. I really just admired her style and wanted to try my hand at it. I'm also NOT a fan of orange, so that seemed the perfect color for me to force myself to use. I really like how it turned out. Of course I had to do a bunch of doodling in the dresses and in the edge borders, but that is just me. Any chance to doodle.... Trying this taught me a number of different things and I love, love, love, her style of writing in her journal pages. So fun and interesting.

Art Journaling (cont. 3)

The copper cobweb page is a tip in. Something I had never tried, but had admired in other artist's journals. The delphiniums are from my garden and yes - they were really that blue Decided to try painting some on the reverse of the pages. I also tried my hand at a crackle technique on these pages too. See the yellow peeking through the navy, night sky? On the pages with the painted flowers, you can see, (if you click on the picture to see the larger size) that I glued down some tiny blue/green and copper round bits. Those bits are actually the waste left over from computer boards being created and holes punched. My sister Cindy, and BIL Kelly, kindly brought these (and other types) to me after learning that I used all sorts of leftovers to create art. They told me that what looks like copper is, in some cases, actually GOLD. Whoo hoo! Maybe I should insure my book..... :-) The lime green page is one I did after my baby sister, Carrie, told me she was considering becoming a Druid. So of course I had to investigate it and learn what I could about it. Sounds like a perfect type of religion for her. It reveres all that is of the earth - wind, sky, water, trees, animals. And it's primary tenet seems to be doing good things for and to one another. Be the good example you want others to be. Very interesting.

Art Journaling (cont. 2)

I had to journal at least one page about Obama. I had admired him for several years ever since seeing him on a talk show. He just made so much sense and was very unlike the normal "politician" that we are all sick of. Was so tickled when he actually decided to run for President and even more thrilled when he won! Hope that he keeps his word now and helps our country get back to being the highly esteemed nation it once was. The page with the lady in blue with the waving hair is my attempt at doing the style of art journaling that I've seen Susan Shie do on her journal quilts. I knew I'd never do a whole quilt like she does, so took her style to my art journal pages instead. It was fun, but (and I know my friends won't believe this of me) way more detailed and intense than I normally like to do! Give me a mindless doodle any day!

Art Journaling

I've been working on this art journal for more than two years. It started out to be a journal that I'd use for my art group and the monthly prompts we'd agreed on. That went out the window pretty quickly for me and it turned into the place that I captured cool quotes and sayings and practiced different techniques and looks that I admire from other artists. I only need to finish one more spread and then the covers so decided I'd get some of the pages scanned and shared here now. See what you think.

Weekend Painting Job

I've been wanting to try my hand at these little landscapes taught by Karyn Gartel for some time. A friend took her class and was kind enough to show me how to do it too. They were a lot of fun and I love how they are so whimsical and folk artsy. I was most amazed that you could actually paint on canvas using the inexpensive sort of craft acrylic paint you buy at the hobby stores. I notice now that I'm seeing both the day and night versions side by side, that I made a few errors - the hills in the night one are brighter and lighter in color than the daytime one and it really should be the other way around, shouldn't it? Maybe I should go back in and paint a big cloud obscuring the sun! And don't tell, but I have my light source coming from the left on the day time piece, but my shadows for the trees and houses go the opposite direction! Duh! I don't care. I'm still happy with them as I've never painted on real canvases before and now, having done this, I'm not so intimidated so may try some other things later on. If you'd like to see Karyn Gartel's site and the classes she offers, check out her workshop blog.

Bandana Prints

These were a natural next step with the "doodling" I've been doing for
some time now. Saw the technique online at: PearlEsq a blog by Robin Beam, who is the
education director for Ranger Industries. I guess I'm behind the times because she has been doing this for some time now it appears! Oh well, better late than never! I've been having fun with this technique making backgrounds for cards, etc. and even did an envelope on a momentary whim last week. I love sending a little bit of art in the mail to perk up someone's day. Just wish I had more time for that! The technique in a shortened version is:

1. rub Distress Ink pads (or any dye ink pads) on a teflon sheet - don't overlap colors or they will muddy

2. spritz inked sheet with water - pretty heavily

3. drag a piece of watercolor paper through the wet dye once, then dab here and there into remaining wet dye to cover entire piece (easier to work with 1/4 sheets or so) of w/c paper

4. I found you can go back direct to paper with the ink pads adding a dab of ink here and there, then spritz the area with some more water to make it run and blend with the existing colors.

5. set aside to dry and do some more backgrounds

6. when background is dry (can speed with heat gun), stamp flourishes or any stamps you want to fill in a random pattern. Robin recommends the black acrylic paint dabber by Ranger. I tried it and preferred the Stazon black pad for clear, crisper images.

7. high light here and there alongside the stamped black images using a good, opaque, white pen. Here again, I prefer the Signo pen, but my friend Dawn let me try her new Extra fine white waterproof Sharpie marker and it is pretty great too!

8. I added some random dots here and there, but that is just me and I never know when to stop doodling!

Thanks Robin for another great technique!

Attempt at acrylic painting

Well, I went and fell in love with Misty Mawn's style

of painting and am trying my hand at it. Not the greatest initial results, but I'm progressing a bit. This is my third one. I think what I love most about her style is the ghostly, eerie skin tones and for some reason I just cannot seem to get them right. Since taking a class with her anytime soon is out of the question financially, I'll just continue to muddle through. It is fun to do though. The background of this piece started out as a great collaged background paper that my friend, Lill Mederak created and traded with me a couple months ago. Thanks Lill!